Temet Nosce

know-thyself

Legion

Lord, hear my voice, my present voice I mean,
Not that which may be speaking an hour hence
(For I am Legion) in an opposite sense,
And not by show of hands decide between
The multiple factions which my state has seen
Or will see. Condescend to the pretence
That what speaks now is I; in its defence
Dissolve my parliament and intervene.
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Thou wilt not, though we asked it, quite recall
Free will once given. Yet to this moment’s choice
Give unfair weight. Hold me to this. Oh strain
A point – use legal fictions; for if all
My quarrelling selves must bear an equal voice,
Farewell, thou has created me in vain.

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“And He asked him, What is thy name? And he answered, saying, My name is Legion: for we are many.” Mark 5:9 (KJB)

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As the Ruin Falls

All this is flashy rhetoric about loving you.
I never had a selfless thought since I was born.
I am mercenary and self-seeking through and through:
I want God, you, all friends, merely to serve my turn.
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Peace, re-assurance, pleasure, are the goals I seek,
I cannot crawl one inch outside my proper skin:
I talk of love –a scholar’s parrot may talk Greek–
But, self-imprisoned, always end where I begin.
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Only that now you have taught me (but how late) my lack.
I see the chasm. And everything you are was making
My heart into a bridge by which I might get back
From exile, and grow man. And now the bridge is breaking.
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For this I bless you as the ruin falls. The pains
You give me are more precious than all other gains.

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“Selfishness cries to Thee: My Father! But Love cries: Our Father!” — St. Nikolai Velimirovic

O Isaiah, Dance for Joy

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O Isaiah, dance for joy, for the Virgin is with child.
Composer: John Tavener

Meant to convey a series of verbal and musical impressions of a village wedding in Greece, Tavener’s music is set to a mix of texts from Angelos Sikelianos’ poem” Village Wedding” interspersed with many repetitions of the line “O Isaiah, dance for joy, for the Virgin is with child” taken from the Orthodox wedding service.

Text, by Angelos Sikelianos, translated from Greek by Philip Sherrard and Edmund Keeley

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To my beloved, who breaks my heart.
O Isaiah, dance for joy, for the Virgin is with child.

Do you listen within your veil, silent, God-quickened heart?
O Isaiah, dance for joy, for the Virgin is with child.

O depth and stillness of virginity! Follow your man.
O Isaiah, dance for joy, for the Virgin is with child.

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Let them throw white rice like a spring shower.
O Isaiah, dance for joy, for the Virgin is with child.

Like a spring cloud, let her now tenderly spread her bridal veil.
O Isaiah, dance for joy, for the Virgin is with child.

O the peace of the bridal dawn.
O Isaiah, dance for joy, for the Virgin is with child.

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And he listens, and he listens.
O Isaiah, dance for joy, for the Virgin is with child.And, as in front of a fount of crystal water,
Let the girls pass in front of the bride,
Observing her look from the corner of their eyes,
As though balancing pitchers on their heads.
O Isaiah, dance for joy, for the Virgin is with child.O, like Leto giving birth to Apollo,
Do you listen within your veil?
O Isaiah, dance for joy, for the Virgin is with child.

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When standing, her hands slight and pale,
(Let them throw white rice…)
O Isaiah, dance for joy, for the Virgin is with child.She clasped the ethereal palm tree on Delos,
Like a spring cloud.
O Isaiah, dance for joy, for the Virgin is with child.May you her mystical image…
O the peace of the bridal dawn.
O Isaiah, dance for joy, for the Virgin is with child.

Held by your husband’s strong heart,
And he listens.
O Isaiah, dance for joy, for the Virgin is with child.

Bring into the world with a single cry your child,
As the poet brings forth his creation.
O Isaiah, dance for joy, for the Virgin is with child.

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*The Dance of Isaiah is one of the integral parts of the Wedding/Crowning Service (Sacrament of Holy Matrimony) in the Orthodox Church (Byzantine Rite) and involves a the triple procession around a center table. The priest, holding the Gospel or Blessing Cross and the clasped hands of the groom and bride, and followed by the best man (or woman) who holds the newlyweds’ crowns above their heads, and the bridesmaids holding the lit white candles, walk three counterclockwise turns around the table in a celebratory “dance”. Each of the three turns is accompanied by each of the three hymns, which return once more to the theme of martyrdom and union with Christ. These are the hymns that, since ancient times, the Church has used to emphasize God’s blessings, and the same ones sung at ordinations to ecclesiastical orders. They signify that this couple has been set apart from the mundane world to live a life in Christ:

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Rejoice, O Isaiah! The Virgin is with child,

And shall bear a son Emmanuel,

Who is both God and Man,

And Orient is His Name,

Whom magnifying we call, the Virgin blessed.

O Holy Martyrs,

who fought the good fight and have received your crowns,

Entreat ye the Lord,

That He will have mercy on our souls.

Glory to Thee, O Christ God.

The Apostles boast,

The Martyrs Joy,

whose preaching was the Consubstantial Trinity.

*

To watch how the celebrant actually leads the marriage couple and the witnesses around the wedding table three times at the Orthodox Wedding/Crowning Service (Byzantine Rite), while chanting this religious hymn,  go to: https://www.youtube.com/watch?v=wyTQnV5W24A

Wedding Photographs: Wedding with Carved Crowns
Source: Orthodox Arts Journal

Love Without Limits

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“Whoever you are, whatever you may be, says the Lord of Love, my hand is resting upon you at this very moment. By this gesture, I am letting you know that I love you and that I call you for my own.

I have never ceased loving you, speaking to you, or calling you. Sometimes it was in silence and solitude. Sometimes it was there, where others were gathered in my name.

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Often you did not hear this call, because you were not listening. At other times you perceived it, but in a way that was vague and confused. Occasionally you were at the point of responding with acceptance. And sometimes you gave me that response without any lasting commitment. You were deeply moved to hear me. You recoiled from the decision to follow me.

Never thereafter did you finally submit, totally and exclusively, to the calling of Love.

Yet now, once again, I come to you. I want to speak to you once more. I want you wholly for myself. Let me repeat: Love desires you, totally and exclusively.

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I will speak to you in secret, confidentially, intimately. I will place my mouth close to your ear. Hear, then, what my lips want to speak to you in hushed tones—what they want to murmur to you.

I am your Lord, the Lord of Love. Do you want to enter into the life of Love?

This is not an invitation to some realm of tepid tenderness. It is a calling to enter into the burning flame of Love. There alone is true conversion: conversion to incandescent Love.

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Do you wish to become someone other than you have been, someone other than you are? Do you wish to be someone who lives for others, and first of all for that Other and with that Other who calls all things into being? Do you wish to be a brother to all, a brother to the entire world?

Then hear what my Love speaks to you.

My child, you have never known who you really are. You do not yet know yourself. I mean, you have never really known yourself to be the object of my Love. As a result, you have never known who you are in me, or all the potential within yourself.

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Awake from this sleep and its bad dreams! In certain moments of truth, you see nothing in yourself but failures and defeats, set-backs, corruption, and perhaps even crimes. But none of that is really of you. It is not your true “me,” the most profound expression of your true self.

Beneath and behind all that, deeper than all your sin, transgressions and lacks, my eyes are upon you. I see you, and I love you. It is you that I love. It’s not the evil you do—the evil that we can neither ignore nor deny nor lessen (is black actually white?). But underneath it all, at a greater depth, I see something else that is still very much alive.

The masks you wear, the disguises you adopt might well hide you from the eyes of others—and even from your own eyes. But they cannot hide you from me. I pursue you even there where no one has ever pursued you before.

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Your deceptive expression, your feverish quest for excitement, your hard and avaricious heart—all of that I separate from you. I cut it away and cast it far off from you.

Hear me. No one truly understands you. But I understand you. I can speak about you such wonderful, marvelous things! I can say these things about you. Not about the “you” that the powers of darkness have so often led astray, but about the “you” who is as I desire you to be, the “you” who dwells in my thoughts as the object of my love. I can say these things about the “you” who can still be what I want you to be, and to be so visibly.

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Become visibly, then, what you already are in my mind. Be the ultimate reality of yourself. Realize all the potential I have placed within you.

No man or woman is capable of realizing any inner beauty that is not equally present within you. There is no divine gift toward which you cannot aspire. Indeed, you will receive all those gifts together, if you truly love, with me and in me.

Whatever you may have done in the past, I will set you free, I will loose your bonds. And if I loose your bonds, who can prevent you from rising up and walking?

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Love Without Limits (orig. Amour Sans Limites), 1971

By A Monk of the Eastern Church

Archimandrite Lev Gillet, who signed many of his books “A Monk of the Eastern Church,” was one of the great Orthodox spiritual guides of the last century. It is difficult to render Fr Lev’s lyrical French into English, but we hope that these efforts will provide readers with something of the spiritual richness and profound theological insight that characterized this humble monk, who was truly a modern Father of the Church.

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Source: http://oca.org/reflections/archimandrite-lev-gillet/love-without-limits

Winged Life

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Winged Life: William Blake’s Mystic Visions & Stunning Paintings

William Blake’s paintings are especially stunning when you see them close up.

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William Blake (1757–1827), one of the greatest poets in the English language, also ranks among the most original visual artists of the Romantic era. For Blake, the Bible was the greatest work of poetry ever written, and comprised the basis of true art.

For a slideshow of 47 paintings by William Blake, go to:

http://www.bbc.co.uk/arts/yourpaintings/artists/william-blake

For William Blake’s Complete Works, go to his archive at http://www.blakearchive.org/blake/indexworks.htm


William Blake’s Visions

From a young age, William Blake claimed to have seen visions. The first may have occurred as early as the age of four when, according to one anecdote, the young artist “saw God” when God “put his head to the window”. .. At the age of eight or ten in Peckham Rye, London, Blake claimed to have seen “a tree filled with angels, bright angelic wings bespangling every bough like stars.” On another occasion, Blake watched haymakers at work, and thought he saw angelic figures walking among them. As a young apprentice, he was sent to copy images from the Gothic churches in London. Blake experienced visions in the Westminster Abbey, he saw Christ and his Apostles and a great procession of monks and priests and heard their chant.

Blake claimed to experience visions throughout his life. They were often associated with beautiful religious themes and imagery, and may have inspired him further with spiritual works and pursuits. Certainly, religious concepts and imagery figure centrally in Blake’s works. God and Christianity constituted the intellectual centre of his writings, from which he drew inspiration. Blake believed he was personally instructed and encouraged by Archangels to create his artistic works, which he claimed were actively read and enjoyed by the same Archangels.

In a letter of condolence to William Hayley, dated 6 May 1800, four days after the death of Hayley’s son, Blake wrote:

I know that our deceased friends are more really with us than when they were apparent to our mortal part. Thirteen years ago I lost a brother, and with his spirit I converse daily and hourly in the spirit, and see him in my remembrance, in the region of my imagination. I hear his advice, and even now write from his dictate.

In a letter to John Flaxman, dated 21 September 1800, Blake wrote:

[The town of] Felpham is a sweet place for Study, because it is more spiritual than London. Heaven opens here on all sides her golden Gates; her windows are not obstructed by vapours; voices of Celestial inhabitants are more distinctly heard, & their forms more distinctly seen; & my Cottage is also a Shadow of their houses. My Wife & Sister are both well, courting Neptune for an embrace… I am more famed in Heaven for my works than I could well conceive. In my Brain are studies & Chambers filled with books & pictures of old, which I wrote & painted in ages of Eternity before my mortal life; & those works are the delight & Study of Archangels.