The Ass and the Ox

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Nativity of the Lord” Andrei Rublev 1405, Cathedral of the Annunciation, Moscow

As of today, I thought I might begin to concentrate on certain details of the Nativity iconography and explore their symbolism and theological significance in order to prepare my cave (a hermit as I am 😊) to receive the Word in the flesh.  My starting point will be a symbolic (and typological) analysis of the ox and the ass figures in the nativity iconography.

Generally speaking, the presence of any animals in the Nativity icon is in addition to any symbolic meaning a theological statement of restoration. It reminds us, I think, that all creation worships God ( the stars and the sun and even the dumb animals). That which was brought about by Adam’s transgression meant that the dominion he was given in Genesis over the birds of the air, the fish of the sea and the animals on the land was corrupted, made incomplete and he started eating that which was originally meant for companionship. When the Word who becomes flesh  is born, He who made Heaven and Earth and all that is in it,  it is only fitting that representatives of His creation are there to worship and adore the mystery of the Incarnation.

 
Revelation 5:13                
And I heard every creature in heaven and on earth and under the earth and in the sea, and all that is in them, saying, “To him who sits on the throne and to the Lamb be blessing and honor and glory and might forever and ever!” 
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Specifically now to the ox and the ass. “These two manger animals are ubiquitous in Nativity images.  They peer over the new-born Christ child in wonderment, usually with their muzzles close to the child, as if to warm him with their breath.  Their significance should be plain: The ass carries Jesus into Egypt, away from the murderous Herod who, like Pharoah, orders the slaughter of infants.  (The flight into Egypt in Matthew’s gospel is the first of many Jesus/Moses parallels.)  Later, the ass will carry him into the holy city of Jerusalem to the acclaim of the crowd: “Hossana!  Blessed is he who comes in the name of the Lord.” The ass who greets the Lord at his birth is the same ass who bears him into Egypt and carries him to his death at Jerusalem where he is hailed as “king of Israel” but crucified as a common criminal.  The red ox stands as a stark and basic  symbol of Hebrew cultic sacrifice.” (1)

There is no ass or ox in the Biblical narratives of the birth of Christ.  Yet, besides the Christ Child himself, the ass and the ox are the most ancient and stable elements in the iconography of the nativity.  In fact the earliest example of a nativity known to us contains only the swaddled Christ in the manger flanked by the ox at his head and the ass at his feet.  David Clayton, on the New Liturgical Movement blog, has written a detailed piece on the subject, and I will go through the basics while adding a few more aspects he does not mention.

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Nativity scene on a 4th century sarcophagus from Italy

When reading comments on the nativity (for example in Ouspensky’s “The Meaning of Icons”) one finds that the inclusion of this detail is a reference to the prophecy of Isaiah:

The ox knows his owner, and the ass his master’s crib: but Israel has not known me, and my people have not understood.

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Some apocryphal texts have the ass and the ox worshiping the Christ child, such as the gospel of pseudo-Matthew:

Therefore, the animals, the ox and the ass, with him in their midst incessantly adored him. Then was fulfilled that which was said by Habakkuk the prophet, saying, “Between two animals you are made manifest.”

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The Nativity – Icon in the Monastery of St. Catherine
[Many thanks to Bill M. for the link and drawing attention to the look on the ox’s face 😊 The icons of St Catherine’s, being isolated and in dry desert conditions meant that their icons have survived remarkably well, making it is a treasure of pre-Iconoclast iconography] (2)

nativity9.jpgFreiburg, Couvent des Cordeliers / Franziskanerkloster, MS 9, fol. 11r. 

What though is the relationship between the ox and the ass, why are these animals paired together so?  We will often read that traditionally, the ox is seen as Israel, and the ass is seen as the Gentiles.  This comes from a very important distinction about the two animals.  The ox is a “clean” animal, and the ass is an “unclean” animal according to dietary proscription in the Old Testament.

Mixing the clean and the unclean is related very tightly to the mixing of Jews and Gentiles.  The clearest example of this is in St-Peter’s vision of the clean and unclean meats placed together, which signify the entry of Gentiles into the body of the Church.  Indeed there is a Mosaic law which I have never seen quoted in relation to the Nativity Icon, but which seems to hold one of the keys to the ass and the ox:

Thou shall not plow with an ox and an ass yoked together.

What is proscribed, the yoking of the clean and unclean, the bringing together of the “inside” and “outside” can only be accomplished without sin by the Christ, the incarnation of the Logos.  In fact, even St-Paul following this tradition, uses the same imagery to warn Christians not to be “yoked” with unbelievers.

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This brings out another meaning, which is related to the incarnation and its relation to universality of the Church.  The ass is a beast of burden, a “mindless” strength which was created to “carry” .  In this respect, the ass is a symbol of corporality itself.  One should not be surprised that the symbol of the unclean and “outer” is analogical to fallen corporal existence and sensuality. This can be seen so strongly in the hesychastic tradition in its relationship between the heart and the senses.  The “outer” part, corporality, the senses, the Gentile, are related to the garments of skin, which we have discussed before, and this periphery can be seen as protecting but also carrying what is precious, like the shell of the ark…

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Icon of the Nativity carved in linden by Jonathan Pageau

It therefore follows naturally that stories such as the talking ass of Balaam are seen as prefigurations of the incarnation in sources as early as St-Irenaeus, or that it is so important for Christ be found riding an ass (even in later Rabbinical Judaism, the ass and colt of Zecharia’s prophesy are seen as representing the Gentiles) .  These Old Testament images, like the joining of the ass and the ox in the icon of the Nativity, are symbolic of the joining of extremes, the union of the spiritual and corporal, the clean and unclean, the inside and outside and ultimately the uncreated and created in the person of our Lord Jesus Christ. (3)

 

 

 

O Isaiah, Dance for Joy

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O Isaiah, dance for joy, for the Virgin is with child.
Composer: John Tavener

Meant to convey a series of verbal and musical impressions of a village wedding in Greece, Tavener’s music is set to a mix of texts from Angelos Sikelianos’ poem” Village Wedding” interspersed with many repetitions of the line “O Isaiah, dance for joy, for the Virgin is with child” taken from the Orthodox wedding service.

Text, by Angelos Sikelianos, translated from Greek by Philip Sherrard and Edmund Keeley

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To my beloved, who breaks my heart.
O Isaiah, dance for joy, for the Virgin is with child.

Do you listen within your veil, silent, God-quickened heart?
O Isaiah, dance for joy, for the Virgin is with child.

O depth and stillness of virginity! Follow your man.
O Isaiah, dance for joy, for the Virgin is with child.

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Let them throw white rice like a spring shower.
O Isaiah, dance for joy, for the Virgin is with child.

Like a spring cloud, let her now tenderly spread her bridal veil.
O Isaiah, dance for joy, for the Virgin is with child.

O the peace of the bridal dawn.
O Isaiah, dance for joy, for the Virgin is with child.

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And he listens, and he listens.
O Isaiah, dance for joy, for the Virgin is with child.And, as in front of a fount of crystal water,
Let the girls pass in front of the bride,
Observing her look from the corner of their eyes,
As though balancing pitchers on their heads.
O Isaiah, dance for joy, for the Virgin is with child.O, like Leto giving birth to Apollo,
Do you listen within your veil?
O Isaiah, dance for joy, for the Virgin is with child.

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When standing, her hands slight and pale,
(Let them throw white rice…)
O Isaiah, dance for joy, for the Virgin is with child.She clasped the ethereal palm tree on Delos,
Like a spring cloud.
O Isaiah, dance for joy, for the Virgin is with child.May you her mystical image…
O the peace of the bridal dawn.
O Isaiah, dance for joy, for the Virgin is with child.

Held by your husband’s strong heart,
And he listens.
O Isaiah, dance for joy, for the Virgin is with child.

Bring into the world with a single cry your child,
As the poet brings forth his creation.
O Isaiah, dance for joy, for the Virgin is with child.

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*The Dance of Isaiah is one of the integral parts of the Wedding/Crowning Service (Sacrament of Holy Matrimony) in the Orthodox Church (Byzantine Rite) and involves a the triple procession around a center table. The priest, holding the Gospel or Blessing Cross and the clasped hands of the groom and bride, and followed by the best man (or woman) who holds the newlyweds’ crowns above their heads, and the bridesmaids holding the lit white candles, walk three counterclockwise turns around the table in a celebratory “dance”. Each of the three turns is accompanied by each of the three hymns, which return once more to the theme of martyrdom and union with Christ. These are the hymns that, since ancient times, the Church has used to emphasize God’s blessings, and the same ones sung at ordinations to ecclesiastical orders. They signify that this couple has been set apart from the mundane world to live a life in Christ:

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Rejoice, O Isaiah! The Virgin is with child,

And shall bear a son Emmanuel,

Who is both God and Man,

And Orient is His Name,

Whom magnifying we call, the Virgin blessed.

O Holy Martyrs,

who fought the good fight and have received your crowns,

Entreat ye the Lord,

That He will have mercy on our souls.

Glory to Thee, O Christ God.

The Apostles boast,

The Martyrs Joy,

whose preaching was the Consubstantial Trinity.

*

To watch how the celebrant actually leads the marriage couple and the witnesses around the wedding table three times at the Orthodox Wedding/Crowning Service (Byzantine Rite), while chanting this religious hymn,  go to: https://www.youtube.com/watch?v=wyTQnV5W24A

Wedding Photographs: Wedding with Carved Crowns
Source: Orthodox Arts Journal