In the Eye of the Storm

ocean

Silver Helix (1)

*

“Hell is empty and all the devils are here.” 

― William Shakespeare, The Tempest

storm1

*

There was once a wave in the ocean, rolling along, enjoying the warmth of the sun and the swiftness of the breeze.

It smiled at everything around it as it made its way toward the shore.

But then, it suddenly noticed that the waves in front of it, one by one, were striking against the cliff face, being savagely broken to pieces.

‘Oh God!’ it cried. ‘My end will be just like theirs. Soon I, too, will crash and disappear!’

Just then another wave passing by saw the first wave’s panic and asked:

‘Why are you so anxious? Look how beautiful the weather is, see the sun, feel the breeze…’

The first wave replied:

‘Don’t you see? See how violently those waves before us strike against the cliff, look at the terrible way they disappear. We’ll soon become nothing just like them.’

‘Oh, but you don’t understand,’ the second wave said.

‘You’re not a wave. You’re a part of the ocean.’ (2)

*

storm0

*

Katsushika Hokusai’s Under the Wave off Kanagawa, also called The Great Wave has became one of the most famous works of art in the world—and debatably the most iconic work of Japanese art. The Great Wave is part of the legendary series Thirty-six Views of Mount Fuji. (3) “The preeminence of The Great Wave —said to have inspired both Debussy’s La Mer and Rilke’s Der Berg—can be attributed, in addition to its sheer graphic beauty, to the compelling force of the contrast between the wave and the mountain. The turbulent wave seems to tower above the viewer, whereas the tiny stable pyramid of Mount Fuji—Japan’s sacred, national symbol of Beauty, Spirituality and Immortality–sits in the distance. The eternal mountain is envisioned in a single moment frozen in time.

*

Hokusai characteristically cast a traditional theme in a novel interpretation. In the traditional meisho-e (scene of a famous place), Mount Fuji was always the focus of the composition. Hokusai inventively inverted this formula and positioned a small Mount Fuji within the midst of a thundering seascape. Foundering among the great waves are three boats thought to be barges conveying fish from the southern islands of Edo.” Nonetheless, “Hokusai has arranged the composition to frame Mount Fuji. The curves of the wave and hull of one boat dip down just low enough to allow the base of Mount Fuji to be visible, and the white top of the great wave creates a diagonal line that leads the viewers eye directly to the peak of the mountain top.”(4)

*

To the Japanese eye, accustomed to reading from right to left—the great claw of a wave appears almost to tumble into the viewer’s face, the surging breakers may seem to swamp the boaters, even Mount Fuji appears fragile, about to be engulfed by the uncontrollable energy of the water, and still  the humans in their tiny boats “doomed” to perish in the sea do not look panicked! On the contrary, they look like hanging to their rows in full discipline. It looks like they are experienced and know how to cope with such a situation. (5)

 

storm2

 

 

 

 

 

 

 

 

 

 

 

 

 

Jennifer Rundlett, a fellow blogger, sees “through” its art “the many trials of life and how overwhelming we often find them, being so focused battling our problems, and trying not to be consumed by them”, whereas “the wave is pointing our eye to [Mount Fugi] the focal point or meaning….that beauty and immortality is in how we ride out these storms.” (6)

*

This Japanese painting brought to my mind an English Romanticist, William Turner’s famous seas, stormy skies, sinking ships and tempests studies, with a very different theme to Hokusai’s.

storm5

*

The power of the storm versus man’s inabilities was a main theme in Turner’s work. Dreadful catastrophe was a common theme in English romantic art period and Turner specifically painted themes of shipwreck a number of times throughout his life, exploring the effects of an elemental vortex. The romantics had taken a liking to natural phenomena and shipwreck became a popular subject. 19th century Britain specifically was very familiar with shipwreck as it was a period of great English shipping.  … The craftsmanship of these ships did not deter the fact that the man made vessel was still at the mercy of the wind.

*

storm3

*

Let us have a good look at Turner’s most famous storm painting: The Snow Storm – Steam-Boat off a Harbour’s Mouth (1842), http://www.tate.org.uk/art/work/N00530 Snow Storm – Steam-Boat off a Harbour’s Mouth shows a ship off the English coast struggling to persevere through a storm.  The steam-boat resides in the center of the vortex.   Turner’s untamed brushwork creates a swirling composition of chaotic colors and lighting. The swirling storm creates a composition that leaves the eye to circle around the canvas repeatedly. The black of the wind and the waves of the sea create a circle around the doomed ship. Through the windy peephole, the viewer can see the helpless ship at the mercy of nature’s violent motion. One can imagine the ship swaying to and fro as its crew desperately tries to take control of the sail and stay afloat. In this context the vessel can be interpreted as a symbol of mankind’s futile efforts to combat the forces of nature. 

*

Snow Storm - Steam-Boat off a Harbour's Mouth exhibited 1842 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/N00530

*

In Snow Storm – Steam-Boat off a Harbour’s Mouth Turner uses a muted color palette. Pale blues and deep browns cover the canvas in swirling motions. Though the palette is predominately neutral, which usually creates a calming tone, the swirling motions and lighting create the chaotic effect Turner was going for. He wanted to simulate the true nature of a storm at sea. The bright white of the sail draws the eye directly to the ship, even amidst the swarming colors around it. Turner creates a pocket of light amidst a dark and shadowy canvas to illuminate the ship. Since he lights the ship in such a way, all focus is immediately drawn to the ship. The shadowing swirling winds only emphasize the ship more. The focus is relentlessly on the plight of the ship. This painting clearly invokes fear in a man or keeps him in his place as the weaker.  Here the emphasis is on the raw, merciless force of Nature and Man’s frailty and helplessness. (7)

*

It is famously said that Turner conceived this image while lashed to the mast of a ship during an actual storm at sea to get a better account of the wind and ocean and what the ship must’ve felt like in the midst of it. This seems to be nothing more than fiction, but the story has endured as a way of demonstrating Turner’s full-blooded engagement with the world around him, and is stunningly dramatized in the famous Mast scene of the mesmerising, highly maginative and richly detailed 19th century period biopic Mr Turner (2014) https://www.youtube.com/watch?v=lYN6HwLSvyg

*

Khalil Gibran  makes ample use of the “storm/sea/wave” imagery in “The Prophet” and explains how we all are “travellers” and “navigators” in the sea of life, our “pain being the breaking of the shell that encloses [our] understanding”. (8)

*

storm10

*

For an auditory raw, rough storm experience, let us not forget Aretha Franklin’s duet with Joe Ligon in the old time gospel  “I’ve Been In The Storm Too Long ” https://www.youtube.com/watch?v=YUujg0BTIjk&list=PLkGwJ-k-JlPEDnwXWd5RDpNmjbUa0fi6y

“I’ve been in the storm… too long, Lord too long
mmmmm… I’ve been in the storm… too Long, Lord too long
Lord, please let me…have a little more time, I need a little more time to pray
Oooh…I’ve been in the storm too long…”

storm7

Jesus walks on water, by Ivan Aivazovsky (1888)

*

Yet, whether competent or helpless, I personally want to bring God in all these “storms”. So that I can walk on the water, towards Him, and when I see “the wind boisterous, … [am] afraid; and beginning to sink”, I can cry “saying, Lord, save me.” And He immediately will stretch forth His hand, and catch me, and say unto me, ‘O thou of little faith, wherefore didst thou doubt?’ (Matthew 14:29-31, KJB) And He will still the storm–within and without my mind–to a whisper and hush the waves of the ‘sea’  (Psalm 107:29) and (Mark 4:39).

 

*

storm1

Christ walking on the sea, by Amédée Varint

storm9

François Boucher Cathédrale Saint-Louis (1766) Versailles

storm20

Walking on water, by Veneziano, 1370.

OLYMPUS DIGITAL CAMERA

storm40

storm50

*

Sources:

  1. “I Capture The Majestic Power Of Ocean Waves”, amazing collection of underwater vortex and wave photographs at http://www.boredpanda.com/moments-in-the-ocean-images-created-from-water-light/
  2. “The missing rose” by Serdar Ozkan, cf. Paulo Coehlo’s blog http://paulocoelhoblog.com/2014/03/21/30-sec-read-you-are-not-a-wave/
  3. For the full collection, go to http://Source: https://en.wikipedia.org/wiki/Thirty-six_Views_of_Mount_Fuji
  4. The Metropolitan Museum of Art at http://www.metmuseum.org/toah/works-of-art/JP1847 For more analysis, watch Thompson, curator of the Hokusai exhibition at the Museum of Fine Arts, Boston, delving into the story behind this world famous print  at https://www.youtube.com/watch?v=dbPHPfVw6zQ
  5. https://www.khanacademy.org/humanities/art-asia/art-japan/edo-period/a/hokusai-under-the-wave-off-kanagawa-the-great-wave and http://www.artic.edu/aic/collections/artwork/24645 and http://www.artelino.com/articles/the-great-wave.asp
  6. For more details, go to her inspirational blog site, dedicated to sharing with insights of God’s love through meditations using art and music, at https://jrundlett.wordpress.com/2014/03/09/new-perspectives-god-given-problems/
  7. http://www.artble.com/artists/joseph_mallord_william_turner/paintings/snow_storm_-_steam-boat_off_a_harbour’s_mouth
  8.  Lebanese-American artist, poet (1883 – 1931), chiefly known in the English-speaking world for his 1923 book The Prophet, an early example of inspirational fiction, including a series of philosophical essays written in poetic English prose, and the third best-selling poet of all time, behind Shakespeare and Lao-Tzu or Lao-Tze.
Advertisements

Bending in the Archer’s Hand

Poetry, Theology, Videos: Orthodox Worship, Conception and the Personhood of the Unborn 

gibran-arrow

Your children are not your children.
They are the sons and daughters of Life’s longing for itself.
They come through you but not from you,
And though they are with you yet they belong not to you.

You may give them your love but not your thoughts,
For they have their own thoughts.
You may house their bodies but not their souls,
For their souls dwell in the house of tomorrow,
which you cannot visit, not even in your dreams.
You may strive to be like them,
but seek not to make them like you.
For life goes not backward nor tarries with yesterday.

You are the bows from which your children
as living arrows are sent forth.
The archer sees the mark upon the path of the infinite,
and He bends you with His might
that His arrows may go swift and far.
Let your bending in the archer’s hand be for gladness;
For even as He loves the arrow that flies,
so He loves also the bow that is stable.

Kahlil Gibran – The Prophet

*

“Before I formed you in the womb I knew you” Jeremiah 1:5

“Your eyes saw my unformed substance” Psalm 139:16

*

Orthodox Worship, Conception and the Personhood of the Unborn 

“If we turn to the Festal cycle, the consciousness of the personhood of the unborn is strikingly manifest especially in three important Feasts: The first is the Feast of the Conception of John the Baptist (September 23) in which we sing: “Rejoice, O barren one, who had not given birth; for behold you have clearly conceived the one who was about to illuminate the whole universe, blighted by blindness. Shout in joy, O Zacharias, crying in favor; truly the one to be born is a prophet of the High!” John the Baptist existed as a human being and a part of God’s plan of salvation from the moment of his conception.

The second is the Conception of the Theotokos (December 9). Here the vesperal hymn proclaims: “Behold the promises of the Prophets are realized for the  Holy Mountain is planted in the womb, the Divine Ladder is set up, the great Throne of the King is ready, the place for the passage of the Lord is prepared . . .” It is notable that both Elizabeth and Anna were advanced in years and barren. Thus they were considered “cursed” in the Jewish tradition where children were a sign of God’s blessing. (Consider that mind-set with our own of today and how God’s Plan is being affected by the hundreds of millions who will never participate in it.)

*

The quintessential Feast illustrating the Church’s belief of the importance of human beings from the moment of conception is the Annunciation (March 25) which is so important that a Divine Liturgy must be served even when it falls on Great and Holy Friday! The Annunciation Troparion makes a most profound statement:

“Today is the beginning of our salvation, the revelation of the eternal mystery! The Son of God becomes the Son of the Virgin as Gabriel announces the coming of grace…” 

*

  This is a far cry from the “pro-choice” rhetoric of “Who knows when life begins?” or the degradation of the unborn by calling him a “blob of tissue” and a “product of conception.”

*

Can any Christian seriously propose that Jesus Christ was ever a “blob” or an appendage of the Theotokos’s body?

*

At the Great Compline the hymnography makes this astonishing claim: “…O marvel! God has come among men; He who cannot be contained in a womb; the timeless One enters time…For God empties Himself, takes flesh, and is fashioned as a creature, when the angel tells the pure Virgin of her conception…” This is not sung at the feast of our Lord’s Nativity but at His conception!!! Such concepts as “viability” and “quickening” are utterly withoutmeaning and irrelevant.

 *

 

Scripture and the Unborn 

In the New Testament, consciousness of the personhood of the unborn is clearly manifested. The same word – brephos – is used for the child in the womb as out of the womb unlike modern medical and scientific distinctions of “zygote,” “embryo,” “fetus“ etc. used to differentiate among the stages of pre-natal life. The Latin word “fetus” simply means “little one” and was never intended as a means of denying humanity to the child dwelling in his mother’s womb. A similar pattern of language occurs in the Old Testament as in the book of Job 3:16 in which he refers to: “Infants [gohlal] which never saw the light.” 

*

In Luke 1:41 we find another astonishing image of the scriptural consciousness of the personhood of the unborn: “And when Elizabeth heard the greeting of Mary, the babe leaped in her womb” Here, the unborn John the Baptist recognizes and rejoices at the unborn Messiah – a “fetus” greeting a “fetus.” This is not just a “literary device” as some would insist. It illustrates the narrator’s consciousness of the already existing personality – and Divine calling – of an unborn human being. We do celebrate the birth of John the Baptist, the Theotokos, and the Lord Jesus Himself, but we also celebrate their conception – their entry into time and the physical world – the “fulness of time” as it is called by St. Paul.

*

A more profound point to this all is that these feasts, especially the Annunciation, point to the Incarnation. By Jesus Christ taking on our humanity from the moment of conception, existing in the pre-natal condition in the womb of the Theotokos, experiencing birth, living through infancy to adulthood, and finally physical death, God sanctified every moment of human existence – from conception to death.

*

There is more to this – God also completely identifies with us in our fallen suffering nature, and by dying for us on the cross, He expresses His solidarity with us: whether we are a zygote, embryo, fetus, infant, child, adolescent, adult, or elderly: human existence is a continuum from conception, and – yes – beyond death to life eternal in the Lord! Read the rest of the article at “Abortion: An Orthodox Christian Perspective on the Sanctity of Human Life” by Rev. Deacon John Protopapas at https://orthodoxword.wordpress.com/2011/01/29/abortion-an-orthodox-christian-perspective-on-the-sanctity-of-human-life/

*

“Science Does TOO Know When “Human Life” Begins”. Read more at http://www.nationalreview.com/human-exceptionalism

*

Watch a disturbing undercover investigative video by Live Action, “What is Human?”, which  probes America’s late-term abortion industry, and reveals chilling admissions from abortionists on the humanity of children in the womb, at https://www.lifesitenews.com/pulse/this-viral-video-is-changing-countless-minds-about-abortion

*
Watch a very disturbing undercover video which catches planned parenthood selling “uterine contents” (ie. one unborn baby plus placenta and amniotic fluid –> aborted baby body parts), while casually sipping wine and eating salad at a ‘business’ lunch: http://www.pravoslavie.ru/english/80682.htm

*

Watch a new, shocking video: Planned Parenthood abortionist–between sips- jokes about harvesting baby’s brains, getting ‘intact’ head at https://www.lifesitenews.com/news/tearing-off-a-babys-head-intact-is-something-to-strive-for-planned-parentho 

*

“Hooverized” is a California High School Expression for an abortion

As for “Reproductive Justice”,  there is absolutely nothing ‘just’ about abortion!

Check more Pro-Choice Euphemisms at http://gerardnadal.com/2010/05/31/how-many-pro-choice-euphemisms-can-you-list/

OrthodoxWord

Abortion: An Orthodox Christian Perspective on the Sanctity of Human Life 

 

Reflection:

Each human being is unique creation of God. Each one of us has never been before and will never be again – throughout all eternity each human being who is, has, and will be conceived is unique.

  

By Rev. Deacon John Protopapas, Executive Director,Orthodox Christians for Life 

 

Overview

  The Orthodox Church regards abortion as premeditated murder. As such, She strongly opposes it because God demands the protection of all innocent human life, including that of the unborn child. The humanity (personhood) of that child exists from conception, a scientific fact that has always been recognized and unquestioned in Orthodox theology from the very beginning. Indeed, conception and not birth is the moment of the union of soul and body.

  The Early Church – of which the Orthodox Church is a…

View original post 4,528 more words