An Ineffable Fragrance

It is impossible to describe how exquisite and noble are the podvizhniki![1] These people—although they bear the traces of harsh struggles, although their bodies are so withered and emaciated—have a fragrance and grace imprinted on their wondrous souls.

1976. The month of August—July 22 Old Style. The Altar Feast (Panegyr) of St. Mary Magdalene in Simonopetra. How they love this saint in her monastery! Her left hand is kept here—her wrist, palm, and fingers—with the skin and tendons. Its temperature holds steadily at 98.6 °F/37° C—proof that this is the hand of a living witness of the Resurrected Christ, living proof of the fact that “death hath no more dominion over” her, either (Rom. 6:9).

At the All-Night Vigil[2], they showed me a stasidion[3] practically in the center. Next to me there was a grey-haired little starets.[4] He stood as straight as a candle, without stirring. During the course of the service he weakened—he was obviously tired. Most likely, he was sleeping. But not relaxed as people usually sleep. His state was distinct and interesting: his head was leaning on his hand, his eyes almost shut. From time to time you could hear him snore a little, gently and peacefully. But every time the singers would make a mistake, he would come into action and without delay correct it. And then return to … his rest. “The body sleeps out of nature’s need, but his heart keeps awake out of its great love.” And truly, his mind keeps vigil. This man, it seems, lives in another world.

We came to the exapostilarion.[5] All the fathers stood, took off their skufias,[6] and bowed low when the serving priest performed the litany over the relics of the great saint and protectress of the monastery, which were lying on a silver tray. Soon the veneration began—I was stunned… I watched what the others did, and I felt that I wasn’t with them. I tried to understand what to do and how to do it correctly, but I couldn’t touch the secret. Everyone around me, I felt, was experiencing an event that I had no idea about. The choir intensified the celebration. The monks showed by their whole appearance that they were experiencing something the likes of which I could not perceive. The only thing that I was able to do was to follow what was going on—superficially and with curiosity. Soon the starets standing next to me left his place and goes in his turn up to the relics. Making three prostrations, he kissed them, was anointed by the priest, and with deep emotion he returned to his stasidion.

“You go, too,” he says to me, “don’t be shy—today the Saint is fragrant. Receive some of her grace.”

I did what he said and went up to the relics. This is what, apart from everything else, the others had done, too. But my doubts stayed with me. I didn’t particularly believe in all this. I went up in a reverie. And I was astonished by the fragrance. I had an insatiable desire to confirm the statement of this fact from an investigative point of view and to venerate the relics again. But I felt awkward—it was an inappropriate time for experiments! I returned to my place—physically—but mentally I stayed with the Saint. My questions multiplied, but my faith did not increase. It was the “sign” that I had been asking for, but it wasn’t the “sign” that I needed. I couldn’t believe in it, but again, I couldn’t imagine that the monks were lying. They had such pure countenances, and they experienced what was going on without reasoning or arguments. I had no reason to suspect them of lying.

“Geronda[7], how does this happen?” I asked. “Maybe out of piety the fathers sprinkled a little perfume? Or are the relics themselves fragrant?”

“Here reverence is ruined as soon as you sprinkle perfume. Reverence is increased when you receive the ineffable fragrance in simplicity. The Holy Mountain is full of such occurrences.”

“What does ‘ineffable fragrance’ mean?”

“If we sprinkled a little perfume from a perfume store, then it would be “fragrance.” Now, when we don’t sprinkle anything but the fragrance pours out all by itself, that is called ‘ineffable fragrance’.

I bowed and kissed his hand. He himself also was fragrant, as if he had been handling incense. The all-night vigil continued—it lasted twelve hours.

A monk whom I knew came up to me:

“Did you get a blessing from Elder Arsenios?”

“Who is that?” I asked, not having any idea who he was referring to.

“The little old man who was standing next to you.”

“The little old man who was sleeping next to me,” I said to myself.

“He has the ‘gift of not washing’, added the monk. “It has already been ten years since he has washed his face and he is fragrant all over. He is as pure as a tear. He lives in Kalamitse, in a cell alone, an hour and a half walk from here. Run, before he leaves!”

I did not catch up with him. He had withdrawn to his cell before the beginning of the festive trapeza. He was filled with the Divine service. He didn’t need food or words in order to fill his soul. He stood, sat, drifted off for twelve hours, and still every second breathed in the sweetness of the all-night vigil. He hath chosen the good part, which will not be taken awayfrom him (Luke 10:42).

From: A Still Small Voice by Metropolitan Nicholas of Mesogaia and Lavreotiki, Phoni avras leptis, Athens 2006, pp. 139–144. Translated from the Russian version on Pravoslavie.ru.

Metropolitan Nikolaos of Mesogaia and Lavreotiki
Translation by Dimitra Dwelley

[1] Podvizhnik: a “spiritual athlete,” one who struggles spiritually, takes on podvigs. Podvig – a difficult spiritual task taken on voluntarily.—Trans.

[2] Agrypnia: the very long Divine service celebrated with great solemnity on Athos on Sundays, great feasts and feasts of the saints in whose honor churches are named, and likewise on days commemorating particularly revered saints.

[3] Stasidion: in Orthodox monasteries, a special wooden chair with high armrests and a seat that can be lifted up out of the way, so that a monk can stand up during the long vigils while being able to rest his arms on the armrests. When it is allowed or necessary out of weakness, the seat may be folded down so he may sit. —Trans.

[4] starets (here, “starchik”, an affectionate form): an elder, usually monastic, who through long experience, obedience, spiritual struggles, love and humility is given special spiritual gifts and to whom others come for spiritual guidance. —Trans.

[5] The Dismissal Hymn, the troparion that follows the Canon at Matins, near the end of the service. Sometimes called svetilen/photogogikon, because it sings of Christ the Light of the world. It is connected with the Matins Gospel.

[6] Skufia: priest’s or monastic’s hat.

[7] Geronda: Greek for “elder” or “starets.”

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Who is Metropolitan Nikolaos?
The Metropolitan of Messogea and Lavreotiki, Nikolaos, was born on April 13th 1954 in Thessaloniki, Greece. He studied physics at the University of Thessaloniki. He continued his studies at Harvard and MIT (USA) where he obtained postgraduate degrees and doctorates. He worked as a researcher and research assistant in the laboratory of angiology of the New England Deaconess Hospital (U.S.). At the same time he was a scientific associate of the United States Company NASA and the company Arthur D. Little.
He taught courses at Harvard and M.I.T, the Medical School of University of Crete and the Medical School of Athens University. He studied theology at the Theological School of the Holy Cross in Boston in the United States and was named honorary student of the Theological School of the University. He was the director of the Center for Biomedical Ethics and the President of the Synodical Bioethics Committee of the Church of Greece. He spent two years on Mount Athos, after which he became a monk on March 18, 1989 at the Holy Stomiou Konitsis Monastery, and the next day he was ordained deacon and then priest on September 10th of that year. Later he entered into the Holy Monastery of Simonopetra. Between 1990 and 2004 he served as a parish priest to the Athonite dependency (Metohion) of the Saviour’s Ascension (Simonopetra Monastery) in Byrona, a suburb of Athens. He was elected Metropolitan of Mesogaias and Lavreotikis on April 26th 2004. Listen to him at a recent Symposium at Madingley Hall, Cambridge https://www.youtube.com/watch?v=POCEGvMRGeA

 

Between Son and Mother

A virtual, photographic pilgrimage to shrines in Greece and Cyprus dedicated to the Feast of the Mother of God Presentation or Entry, Entrance, Eisodos in the Temple (November 21)

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Iconography of the Entrance of the Theotokos at Hilandari Monastery–MOUNT ATHOS

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The Monastery of Panagia Hozoviotissa in AmorgosENTRY96entry7

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Panagia Malteza of Santorini

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Panagia Odigitria of Kimolos

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The 11th Century Church of Panagia Kapnikarea in Athens

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The Monastery of Panagia of Machairas in Cyprus

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No one stands between Son and Mother

Give us salvation


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“Today, the most pure temple of the Savior, the precious bridal chamber and Virgin, the sacred treasure of God, enters the house of the Lord, bringing the grace of the Divine Spirit. The Angels of God praise her. She is the heavenly tabernacle.”

 

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Drunk on Delusion, Sober in Despair

Paris Massacre’s “Act of War”

 

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In Memoriam  —  A Video, Liturgic Chant and Iconography Tribute and  Islam’s New Martyrs’ ‘Army’

In the darkness of the Paris tragedy,  May God give rest to all the victims! Comfort to their families! Mercy to the killers! Repentance for the assassins before they depart this earth! Saints Denis, Genevieve, and Maria of Paris, Irenaios of Lyons, Martin and Gregory of Tours, Prosper of Aquitaine, John Cassian the Roman, Caesarius of Arles, Hilary of Poitiers, and all the martyrs and saints of France, pray for the protection of the people of France and our world!

Litanie des saints de Paris

https://www.youtube.com/watch?v=GRbtJi_U-BE&app=desktop

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A Letter from the People of the Cross to ISIS

The world is talking about you
Your apocalyptic dreams and spectacular sins
Are now awakening the middle east
In your holy war, come to holy ground
Come children of Abraham come
The people of the cross gathers at your gates with a message

Love is coming after you.
Like a rush of wind grazing over the pacific
From hills of the mount of olives to the desert winds of Jordan
From the cedars of lebanon to the silk roads of the East
An army comes. With no tanks or soldiers
But an army of martyrs faithful unto death
Carrying a message of life
The people of the cross  
Comes to die at your gates. 
If you wont hear our message with words
Then we will show you with our lives
Laid down.

For every throat you slit and every woman you rape
For every man you burn and every child you turn to dust
There is blood on your hands brother

But Come Brothers Come

Come with your bloodstained hands,
Come with your eyes full of murder for the people of the Cross,
Come lay your guns and your knives at the foot of the cross
A love that is overdue and overwhelming
Breathes through your cities

Though your sins are like scarlet
They can be washed white as snow
Though you call yourselves servants
He will make you into Sons
Where can you run from His love?
Even the darkness cannot hide you

Come Brothers Come
There is the sound of a rushing rain
To remove your sins and bind your wounds
You die for your god but our God died for us 
The King of Kings comes to be the sacrificial lamb
Slain on the altar where we should have been
Jesus Christ, Isa Al Masih
Walks through the Middle East

There is forgiveness tonight oh brother
There is healing for your sins oh brother
We are no different.
Apart from Christ, we are no better than the worst jihadist
Christ has been crucified once. and for All.
To make sinners like you and me into brothers
Even you.
Even now.

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Who Would Dare to Love ISIS? (A Letter from the People of the Cross)

https://www.youtube.com/watch?v=uSv4vBcFyvo

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Paris terror attacks: a night of carnage in France’s capital–Friday November 13

“Hell is empty and all the devils are here.” 

“It still remains unclear how the situation developed inside the concert hall. According to witnesses, the attackers stormed the venue as a California rock group ‘Eagles of Death Metal’ was performing on the stage. A Europe 1 journalist, who was inside the Bataclan, said the men were unmasked and carried what he recognized as Kalashnikov-type guns. “The assailants had time to reload at least three times. They were not masked, masters of themselves. They were very young,” the reporter Julian Pearce said, according to the Liberation newspaper. People who managed to flee the theater reported seeing between six and eight shooters inside were killing those who remained in the concert hall “one by one”. One of the gunmen at Bataclan reportedly shouted “Allahu Akbar!” meaning, “God is [the] greatest” in Arabic.

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In 1714, just before Easter, Constantin Brancoveanu – the Christian ruler of the Romanian Kingdom for 26 years – was taken to Istanbul and imprisoned. His four sons were imprisoned with him. In a typical gesture, the Muslim rulers of the Ottoman Empire gave them the well-known choice: convert to Islam or die. Because they refused to deny Christ, on August 15th (the Dormition Feast), they were all decapitated – first the Christian king’s councillor was beheaded, then all his sons (Matthew, the youngest of them, was 11 years old). The King, his wife and daughters, were forced to witness the public executions. Western diplomats were present; the official representatives of France, England and Russia (among others) felt they could not refuse the Muslim ruler’s invitation. In the end, after the killing of all his sons, the King himself was publicly executed – it was his 60th birthday. Their heads were carried and displayed through Istanbul; their bodies were thrown in the Bosphorus. Today, they are all commemorated as Martyrs.

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The Glorification of 1241 New Martyrs of Naousa

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Central photograph of St. Philoumenos the New Righteous Hieromartyr, the Cypriot, at Jacob’s Well where Christ spoke with St. Photini. Surrounding are other pictures and icons of St. Philoumenos and associated scenes. He was martyred on November 16th/29th 1979

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St. Philoumenos the New Hieromartyr of Jacob’s Well

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Holy New-Martyrs of Jasenovac

St. Jacob of Hamatoura - Martyrdom copy

St. Jacob of Hamatoura

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Synaxis of the Holy New Martyrs and Confessors of Russia

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… Three centuries later; we see Muslim children carrying the heads of the people their fundamentalist parents have murdered. We hear these children calling for more executions. The only difference is that, this time, Western journalists are also killed.

The West may be in shock, but Eastern Europe isn’t. For us, this is just the return of a very recent nightmare. Less than a century ago, the Ottoman Empire was still present here, in our countries. Think about that!

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New Martyrs of the Turkish Yoke

We all – West and East – have so much to learn from each other. The world needs to look at its past – its common past. The West needs to understand that what happens in other parts of the world will one day (very soon, it seems) happen at home, in its own back-yard.

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The 1241 New Martyrs of Naousa who were brutally massacred 

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 The 21 New Martyrs of Egypt & Libya

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Saint Ephraim the Newly-Revealed Wonderworker of Nea Makri

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Holy New Martyrs Emmanuel, Anezina, George and Maria, The Four Crypto-Christians New Martyrs

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The 100,000 Holy Martyrs of Tbilisi

When one visits the thousands of Orthodox monasteries in Greece, Bulgaria and Romania, one must learn how to see beyond their exterior beauty and exoticism. All these places are built on harrowing pain and horror, yet they remain living prayers for the peace and salvation of the whole world; for centuries, they’ve held on to a holy stubbornness to not let go of hope, to not let go of love, to not allow hate to win and take over our hearts.

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New Martyrs Raphael, Nikolaos, Eirini

If that happened, if we let go of love and embraced the hatred, we’d be denying Christ; we’d be losing the real battle, the battle these old and new Christian martyrs died for.

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Hell Is Empty and All the Devils Are Here: a quote from the first act of William Shakespeare’s The Tempest

 

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“The Muslim threat will not be neutralized, and Muslims will not come to see the falsehood of their own faith, – which, after all, must be our hope and the only real solution to the problem – until and unless the Christians stop appeasing them through their anti-Christian ecumenism and debauchery, demonstrating in their own lives what it is to be a real Christian. The present confrontation between Western ecumenism and Muslim terrorism is providential … a final appeal to the conscience of Western Christians to cast off their indifference and acquire zeal for the one true faith, which is Christianity.” http://www.orthodoxchristianbooks.com/articles/690/islamic-terrorism-western-ecumenism/

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Autumn Photo Sketches of Rila Monastery

The Monastery of St. John of Rila, Bulgaria

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The Monastery of St. John of Rila, Bulgaria

The main holy place of Bulgaria is Rila Monastery at which the relics of Venerable John (Ivan; c. 876-c. 946), the Wonderworker of Rila and patron-saint of this Orthodox country, rest. Rila Monastery is situated in the very heart of the Rila Mountains. Steep slopes covered with glorious woods, magnificent rocks, peace and quiet… All of this disposes a pilgrim’s soul towards the meeting with the holiness already at the turn of the Sofia – Blagoevgrad Motorway. And on your way back the spiritual delight changes into peaceful joy… And also into bitterness: in the places where the Divine grace is abundant and strong, one particularly realizes the incorrectness, vanity and worldliness of our ordinary life.

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Rila Monastery was founded by St. John in the 930s and acquired its present appearance in the mid nineteenth century. Only the Tower of Hrelyu is much older: it dates from the fourteenth century. All who visit the holy monastery for the first time are amazed at the brightness of the frescoes which is an uncommon feature for a monastery. However, not everyone knows that they depict the afterlife journeys of a soul through the so-called aerial “toll-houses”, or trials. The main cathedral of the monastery is dedicated to the feast of the Nativity of the Mother of God. The reliquary with the Venerable John’s relics rests there. Numerous miracles have occurred and continue to occur through the prayers of this holy man. His significance for Bulgaria and his national veneration can be compared with the veneration of St. Sergius of Radonezh in Russia; even the lives of these two saints are remarkably similar.

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There are three days of commemoration of St. John of Rila in the Church year: July 1/14, August 18/31, and October 19/November 1. The last of them falls on the period of the “golden autumn” (when leaves especially turn red and yellow) – the most beautiful time in the mountains, when it is so warm in the sun and where the beauty of the God’s creation meets with spiritual, heavenly beauty…
Photos by Yanina Alekseeva, Sofia.

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The Church of the Nativity of the Mother of God rila12
Christ the Pantocrator. A frescorila13
Venerable John (Ivan) of Rilarila14
Frescoes depicting Toll Houses
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The monks’ residence        rila20
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An Artist at Work
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Remain Open To The Mystery That You Are

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Don’t waste your time and energy hunting for a predetermined idea of who you are; don’t waste your life hunting for an ideal, an image or a name, because it really is irrelevant what you call yourself. You are not the name you call yourself by; you are the content of your being. Before Christ, Who sees the depths of our being, the only thing that matters is your content, not the name we sometimes fight our whole lives for.

Do not hunt for an image, but for a content.

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Do not assume you know who you are; do not assume you know who you are meant to become. Do not pre-determine where you want to get to by the end of your life, because that is a sure recipe for disaster: you will be constantly in doubt, permanently wondering, always questioning, painfully looking back and reimagining other paths you could have taken.

Remain in the here-and-now. Love God and love people. Stay away from evil and do good, and always remain open to the mystery that you are. Accept yourself as an unfinished being, and keep yourself open and ready to receive the revelation of your true name – that name which corresponds to your true content.

The person you were created to become is unknown to you. Your own self is unknown to you. You are a mystery to yourself, and you must remain open to accept your self before anything and anyone else. Do not enslave yourself to a particular image or expectation, because that will only corrupt and deform you. Remain open and tolerant and ready to embrace your own self. Remain open for a Revelation, because that is how your true self will be given to you.

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Sir Stanley Spencer’s Burning Bushes

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Sir Stanley Spencer (1891-1959)

He was a visionary, a genius. Some said, a lunatic.

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Have a look at his ‘Biblical’ contemporary Zacharias and Elizabeth praying to conceive St. John the Forerunner:

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Or at his St Francis and the Birds:

St Francis and the Birds 1935 Sir Stanley Spencer 1891-1959 Presented by the Trustees of the Chantrey Bequest 1967 http://www.tate.org.uk/art/work/T00961

“St Francis of Assisi, the founder of the Franciscans, is popularly remembered for being able to talk to birds, and pray with them. Here he is shown as an old man, dressed in a Franciscan robe, talking to birds on a farm.” [Tate] Stanley Spencer intended to display this painting in his ideal gallery, which he called ‘Church House’, though it was never built. Admittedly, there is a certain “strangeness” in the painting, particularly in the way the saint separates the boy and girl. This painting was in fact rejected by the Royal Academy in 1935, interpreted as an offensive caricature. Spencer was eventually reconciled with the Royal Academy and was elected a full member in 1950; he was knighted in 1959.

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‘Understand. Spencer is not a fool. He is a damned good man’ one of his officers said. Spencer had just bandaged him and called for stretcher bearers because the officer was grievously wounded. Stanley Spencer had no idea that many people thought of him as an idiot.

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Spencer was other worldly. He was not run-of –the –mill. His genius as a painter imbued him with love for all of creation. He saw the redemptive force of love in everything, in everyday life, in hospitals ,on the battlefield, in the human body. His innocence and love of beauty could sometimes make him a victim. He thought he loved Patricia Preece, an artist of voluptuous proportions, whom he painted and who tricked him with many wiles into divorcing his wife and marrying her. Yet his childlike soul made him beloved of many. His daughters loved him and remembered his beautiful character and his redeeming love for all of nature.

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“Everything I do for anyone is as ointment poured forth and it is an exercise creating joy, which is eternal; and it is the army has caused me to learn that by being happy in the present state I am satisfied. But what is wonderful is that by praying for the power to love purely or absolutely you get that power. I feel ashamed of what I would do when I first came out here, compared with what I would do now. The army ought to make any man an artist, because it ought to give any man these feelings.”

Stanley Spencer wrote these words in a letter to friends when he was a soldier on the Salonika front during the First World War. He had been a hospital orderly but was then in active service fighting against the Bulgarians and the Germans. He was finally sent home in 1918 as a result of his frequent and debilitating bouts of malaria.

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Resurrection

His extraordinarily moving painting of Smol in Macedonia, Travoys Arriving with Wounded at a Dressing Station at Smol, Macedonia, showing an illuminated operating theatre with the wounded on stretchers outside drawn by mules, resonates with biblical undertones: the dressing station was an old Greek church which Spencer drew such that, with the animal and human onlookers surrounding it, it would recall depictions of the birth of Christ. Rather than showing the horror of war, the painting gives hope of continuing life.

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In the 1920s Spencer was asked by the Behrends family to do the murals for a memorial chapel for their brother Harry, who had died of malaria on the Salonika front. Spencer had always wanted to express his memories of the war and he spent six years on what are regarded by many to be his finest paintings, at the Sandham Memorial Chapel at Burghclere in England. Paul Mitchell says: “Perhaps one would expect scenes of death and destruction. But there is not a gun… and only one officer in sight. Entering the chapel you see ahead vivid white crosses tumbling from the sky and piling up around the altar. Soldiers are emerging from their graves in a Resurrection scene.

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The other walls depict the everyday life that Spencer himself experienced. Even with titles such as Sorting and Moving the Kit-Bags Spencer imbues the paintings with such beauty and meaning that as he himself says, “they don’t look like war pictures, they rather look like heaven”.The everyday activities of the soldiers are transformed from banality. Saint Augustine, whom the artist had read, believed that even menial work could be a way of glorifying God. He continues, “the picture is supposed to be a reflection of the general attitude and behaviour of men during the war”, when a soldier would fondly remember the “caress of a sweetheart” or “sitting in his doorway chatting to his neighbours”. For Spencer himself the five years it took to complete the works was a means to “recover my lost self”.

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Resurrection–Reunion

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Resurrection–Waking Up

They are highly personal paintings that go beyond the mundane, treating the great themes of death and redemption in an extraordinary vision of grandeur. Spencer went on to paint an amazing Resurrection painting with his home village of Cookham, and the local churchyard as its background.

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The Resurrection, Cookham 1924–7

“Spencer believed that the divine rested in all creation. He saw his home town of Cookham as a paradise in which everything is invested with mystical significance. The local churchyard here becomes the setting for the resurrection of the dead. Christ is enthroned in the church porch, cradling three babies, with God the Father standing behind. Spencer himself appears near the centre, naked, leaning against a grave stone; his fiancée Hilda lies sleeping in a bed of ivy. At the top left, risen souls are transported to Heaven in the pleasure steamers that then ploughed the Thames.” [Tate]

Dinner on the Hotel Lawn 1956-7 Sir Stanley Spencer 1891-1959 Presented by the Trustees of the Chantrey Bequest 1957 http://www.tate.org.uk/art/work/T00141

Not that Stanley Spencer saw himself as a prophet. On the contrary, he believed that the divine was present everywhere, in everything in the world, that the transforming power of love could express the suffering of people and their desire for a better world. Tiny details of life and the human condition were the driving force behind his work. … Spencer’s works often express his fervent if unconventional Christian faith. This is especially evident in the scenes that he based in Cookham which show the compassion that he felt for his fellow residents.

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Christ Preaching at the Cookham Regatta

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«When I lived in Cookham I was disturbed by a feeling of everything being meaningless. Quite suddenly I became aware that everything was full of special meaning, and this made everything holy. The instinct of Moses to take his shoes off when he saw the burning bush was very similar to my feelings. I saw many burning bushes in Cookham. I observed the sacred quality in the most unexpected quarters.»

Artist : Sir Stanley Spencer (England, b.1891, d.1959) Title : Date : 1951-1952 Medium Description: oil on canvas Dimensions : Credit Line : Watson Bequest Fund 1952 Image Credit Line : Accession Number : 8702

Christ in Cookham (1951-1952)

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Christ Carrying the Cross 1920

Carpenters walking down Cookham High Street form a link with Christ’s carrying the cross through Jerusalem. The Tate Gallery originally mistitled this picture “Christ Bearing his Cross” which intensely irritated Stanley Spencer.  As he said, the false title implied:

A sense of suffering which was not my intention.  I particularly wished to convey the relationship between the carpenters behind him carrying the ladders and Christ in front carrying the cross.  Each doing their job of work and doing it just like workmen  . . . Christ was not doing a job or his job, but the job.

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The Resurrection with the Raising of Jarius’s Daughter

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Again, when Stanley Spencer’s dealer thought of cataloguing the painting as “Christ Carrying His Cross” Stanley was furious. The cross was for him universal. We all have to carry the cross.

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The moving series of paintings Christ in the Wilderness, were a product of a very difficult time for Spencer. He had been betrayed by Patricia Preece and left pretty much destitute. His wife Hilda and children were not with him. He worked in a bare studio in London. The depiction of Christ protecting the hen is incredibly moving.

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Spencer’s genius was his vision. For him all that was material was divine, imbued with “the grandeur of God.” Like Saint Paisios he could love the whole world. Saint Nectarios of Aegina said: “Our heart should be so filled with love that it should overflow to our neighbor.” “The impulse for his creativity came out of his own idealistic efforts to articulate suffering humanity’s craving for a better world.” Paul Mitchell said.

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Spencer said: “Love is the essential power in the creation of art and love is not a talent.  Love reveals and more accurately describes the nature and meaning of things than any mere lecture on technique can do. And it establishes once and for all time the final and perfect identity of every created thing.”

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“I love to dwell on the thought that the artist is next in divinity to the saint. He, like the saint, performs miracles.”

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Spencer’s art is fascinating, bizarre, unworldly and yet too wordly. His life was more eccentric and not always so praiseworthy. In fact, he lived a pretty messy and imperfect life, and did not always live out his convictions very well. But this does not necessarily mean that he is to be judged and condemned together with his ‘art’. Isn’t he in a sense a fellow struggler rather than a role model, and doesn’t his honesty about his own personal battles make him that much more accessible to us today? Spencer felt compelled to record the truth of Christianity as he saw and felt it, and such art as his can reach places in the human heart that reasoned argument can never penetrate. “Where William Blake was aware of heavenly voices in the next room, Stanley Spencer was susceptible to visions of holiness along the Cookham lanes, … turning its streets into visions of holiness.” May he teach us to discover burning bushes all over the world.

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For more, please watch a brilliant lecture by Richard Harries, The Rt Revd Lord Harries of Pentregarth, Gresham Professor of Divinity, “Distinctive Individual Visions”, part of  Christian Faith and Modern Art Series http://www.gresham.ac.uk/lectures-and-events/distinctive-individual-visions  “As at the end of the 18th century William Blake developed a highly individual style that did not fit easily into the categories of the age, so in our time artists like Marc Chagall, Stanley Spencer and Cecil Collins, in their very different ways, have sought to express an intense, highly personal religious vision of the world. …”

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The ‘Trash Can’ Rescue

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The Trash Can Rescue was the code name for an undercover operation aimed at smuggling out Jewish children headed for the death camps in Paris. “The story occurs after Mother Maria had established the house with the blessing and help of her bishop, Metropolitan Evlogy Georgievsky, on rue de Lourmel.  Word got out that something was happening at the stadium, not far from the house. “. . .There was a mass arrest of Jews — 12,884, of whom 6,900 (two-thirds of them children) were brought to the Velodrome d’Hiver  . . . Held there for five days, the captives in the stadium received water only from a single hydrant, while ten latrines were supposed to serve them all. From there the captives were to be sent via Drancy to Auschwitz.”

Mother Maria of Paris wrote both poetry and religious essays in addition to running a soup kitchen and community center in a ghetto of Paris

Mother Maria of Paris wrote both poetry and religious essays in addition to running a soup kitchen and community center in a ghetto of Paris.

Because Mother Maria was well-known to the police and sanitation crews as she would scour the back alleys of Paris and the central market gathering day old food and recyclables for the poor of her community, she was granted access into the stadium.  She quickly sized up the situation.  The stadium had become a central transfer and processing hub for the thousands of Jews of Paris.

She prayed for assistance.  The idea came to her.  By employing the confidence of the local sanitation workers in charge of hauling the garbage from the stadium, Mother Maria perpetrated a plot that would at least save the children from the gas chambers: stuff them into the garbage bins, haul them out on the trucks from the stadium, and then under the cover of night, sneak the children to the house on rue de Lourmel where she then could orchestrate their continued passage to the south of France, an area outside of Nazi control, and to safety. The chronicle of the Trash Can Rescue has been memorialised in the children’s book Silent as Stone written by Jim Forest and beautifully illustrated by Dasha Pancheshnaya (St Vladimir’s Press: http://www.svspress.com/silent-as-a-stone/ )“It would have been possible for her to leave Paris when the Germans were advancing toward the city, or even to leave the country to go to America. Her decision was not to budge. “If the Germans take Paris, I shall stay here with my old women. Where else could I send them?” http://incommunion.org/2004/10/18/saint-of-the-open-door

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No one is sure how many children Mother Maria and her garbage crew saved.  But what is certain is that she eventually was found out by the Nazis. (When Nazis interrogated her about whether she had seen any Jews, she would point to an icon of the Mother of God or else point to the body of Christ on her crucifix.)  The priest, Father Dimitri Klepinin who had served alongside her in the “monasticism in the world” and her son Yuri were arrested.  They had been guilty of forging fake baptismal certificates for Jews who came begging for help.  Yuri and Father Dimitri eventually died in Buchenwald camp while Mother Maria was sent to Ravensbruck. … It was Good Friday, March 30th, on the eve of the liberation of Paris, 1945, that Mother Maria was one of those chosen for death. According to other accounts, she took the place of another prisoner who was marked for the gas chamber that day. …

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For the rest of the article go to http://greekamericangirl.com/mother-maria-of-paris-says-oxi-to-the-nazi-mass-murder-machine/

For more information about Maria’s activism, inspiration, grace, heroism, and hope-filled commitment, so needed in our world today, go to my earlier posts “Like a Russian Novel” at https://orthodoxcityhermit.com/2015/09/23/mother-maria-of-paris-saint-of-the-open-door/ and “Solitary and Naked Before God” at https://orthodoxcityhermit.com/2015/09/23/taking-up-the-cross/

Scilly Celtic Saints

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Aerial photo of the Isles of Scilly

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To continue our pilgrimage to the Celtic sacred sites and pilgrim routes of England, our next stop is Scilly –pronounced “silly”–Islands! Yet another look at Christian faith from a Celtic perspective. Have you been there? The Isles of Scilly (/ˈsɪli/CornishSyllan or Enesek Syllan) (Introduction of the “c” may be to prevent references to “silly” men or saints!) are an archipelago off the southwestern tip of the Cornish peninsula of Great Britain, comprising  5 Major, inhabited islands,St Mary’sTrescoSt Martin’sBryherSt Agnes and 140 others. 

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The Isles of Scilly (bottom left corner) are a part of the ceremonial county of Cornwall (white)

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Scilly Saints

Holiday Reflections on these Holy Isles

By Father Jonathan Hemmings

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“For since in the wisdom of God the world through its wisdom did not know him, God was pleased through the foolishness of what was preached to save those who believe.” (1 Corinthians 1:21)

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Forty miles south west off the Cornish coast are the beautiful Scilly Islands. Bathed by clear water, graced by an equitable and temperate climate, surrounded by wildlife in sea and air, seals, puffins and dolphins, they have a flora unique to the British Isles. The very names of some of these Islands, St.Mary, St.Agnes, St.Martin, St.Helen, suggest a link between faith and culture. Look a little deeper and one finds an important vein of Celtic Orthodox spirituality etched, sometimes quite literally into the very granite of the rocks that form the base of life in these offshore outposts of faith and spiritual powerhouses of prayer.

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St. Mary’s

The largest of the Islands, it was known at first as Ennor, the origin of which is obscure, it seems that the name of the island was taken from the dedication of the Church in the Old Town to Our Lady in mediaeval times. As “Star of the Sea” (Steren an Mor) the intercessions of the Mother of God are still sought for those who sail in these shipwreck strewn islands where the hazards of shallow tides and hazardous rocks still persist and catch the unwary voyager. [ For a list of shipwrecks of the Isles of Scilly go to http://list of shipwrecks of the Isles of ScillyThere is a little valley in the middle of the island known as Holy Vale.

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Bants Carn, St Mary’s

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Scilly St Mary’s Bant burial chamber entrance

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St. Agnes

The southernmost Island is that of St. Agnes. Named after the Roman Saint we find during Norman times the replacing of celtic saints with popular western saints. However, to the south east of the Island is the crescent- shaped St. Warna’s Cove which marks the spot where this Irish celtic nun landed and made her dwelling-place after sailing single handed from Ireland. It is remarkable to ponder on the courage and fearless spiritual enterprise of the Celtic Christians who used the Irish Sea much as we today would use the M6 motorway. St. Warna is the patron saint of the Scilly Island of St Agnes and prays for the salvation of those subject to wrecks. It may be noted that it is said that some of the more pagan element wanted shipwrecks in order to plunder the cargo in past times. At St. Warna’s Cove there is a holy well near to the shore where the saint lived in her hermitage and prayed. Nearby there is a large standing granite stone with an impressive and distinctive Cross emblazoned on its face made by the weathering of the wind!

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Porth Conger, St Agnes

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St Agnes, isles of Scilly and The Bar of sand which connects it to Gugh

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Views taken on or on the way to St Agnes

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Summer Sky – St Agnes, Scilly Isles

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Troy Town Maze, St. Agnes, Isles of Scilly

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Gugh. Gugh, St. Agnes, Isles of Scilly

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On the island of St Agnes, St Warna is the patron saint of shipwrecks

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St. Martin’s

The Island was originally called Mauded which is similar to the Breton name for the Cornish St. Mawes who has a small town named after him near Falmouth where he lived for a time after sailing from south Wales. In the Roman Calendar his feast day is November 18th. According to tradition he was a 6th Century Welsh hermit and Abbot, also called Maudetus or Maudez. He lived as a solitary and then went to an island off the coast of Brittany, France, where he is revered as St.Maudez. He is believed to have founded other monasteries and churches in Cornwall and Brittany. There is a tradition that Saint Mawgan ( a place near Newquay, Cornwall which has a holy well), if he is to be identified as the same, was at one time Bishop of the Scilly Islands. The transition to a completely different saint, St. Martin seems to be a “latinization” of the name, again from the time of Norman occupation.

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Offshore and inshore islands, St Martin’s, The Isles of Scilly

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Bryher Isles

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Bryher is the smallest inhabited island in the Isles of Scilly. It’s famous for the spectacular Hell Bay with it’s pounding waves crashing over the rocks on.

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The name of the Island was at one time St. Nicholas the patron saint of sea farers which seems most appropriate. This beautiful island boasts a Benedictine Priory established in 1114, the remains of which can still be seen today within the gardens of Tresco. It was probably established from the Abbey at Tavistock in Devon which was also dedicated to St. Nicholas.

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The arch from the wall of the mediaeval monastery in Tresco Abbey Gardens

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Abbey Gardens Tresco

Tresco Abbey Gardens, Scilly Isles, UK Looking at the plants in this garden it is difficult to believe that Tresco Abbey Gardens is situated in the British Isles. Containing sub-tropical plants from Australia, South Africa and South America – including Echiums, Agaves, Aloes, Proteas, Aeoniums, Strelitzias and palm trees, this garden looks as though it should be situated in the Mediterranean! However, it is located in England, on the small island of Tresco in the Scilly Isles (approximately 28 miles from the south west tip of Cornwall in the United Kingdom). The photographs in this set where taken in late August when a lot of the color had already left the gardens. However, the varied planting provides a superb example of the value of a clear garden structure filled with diverse and contrasting foliage – creating a wonderful green tapestry of architectural plants throughout the year. Details: With a stunning background of white sandy beaches and vivid turquoise sea, Tresco Abbey Gardens is an outstanding historic garden set amid the romantic ruins of a 16th century priory. The gardens were started by Augustus Smith, who moved to the island in 1834. The garden has subsequently been developed by four succeeding generations of the family from Augustus Smith. The gardens have many delightful features, often seen at their best in the warmth of the afternoon sun, ranging from the Abbey arch, the Neptune steps, the shell house and a number of tastefully placed sculptures (including one to the earth goddess Gaia), all bordered by fantastic foliage of varying shapes, textures, sizes and hues. Surrounded by sea and in the warmth of the Gulf Stream the climate is exceptionally mild and totally frost free in most years. With south facing terraces, these gardens have often been referred to as ‘Kew gardens without the roof’, because in mainland UK, you would only find these plants in a botanical garden glass house. Location: Tresco Abbey Gardens, Tr

Tresco Abbey Gardens, Scilly Isles, UK
Looking at the plants in this garden it is difficult to believe that Tresco Abbey Gardens is situated in the British Isles. Containing sub-tropical plants from Australia, South Africa and South America – including Echiums, Agaves, Aloes, Proteas, Aeoniums, Strelitzias and palm trees, this garden looks as though it should be situated in the Mediterranean! However, it is located in England, on the small island of Tresco in the Scilly Isles … With a stunning background of white sandy beaches and vivid turquoise sea, Tresco Abbey Gardens is an outstanding historic garden set amid the romantic ruins of a 16th century priory. The gardens were started by Augustus Smith, who moved to the island in 1834. The garden has subsequently been developed by four succeeding generations of the family from Augustus Smith. The gardens have many delightful features, often seen at their best in the warmth of the afternoon sun, ranging from the Abbey arch, the Neptune steps, the shell house and a number of tastefully placed sculptures (including one to the earth goddess Gaia), all bordered by fantastic foliage of varying shapes, textures, sizes and hues. Surrounded by sea and in the warmth of the Gulf Stream the climate is exceptionally mild and totally frost free in most years. With south facing terraces, these gardens have often been referred to as ‘Kew gardens without the roof’, because in mainland UK, you would only find these plants in a botanical garden glass house.

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Tresco Abbey Gardens

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King Charles’ Castle is a ruined coastal artillery fort near the north extremity of the island that dates back to the sixteenth century

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Samson

The island is connected with the welsh saint St. Samson of Dol who travelled to Cornwall, Brittany and the Channel Isles. Samson was educated by St. Illtud at the Abbey of Llanilltud Fawr (Llantwit Major) in Glamorganshire; where he was ordained a deacon and then a priest. Samson of Dol found it necessary by the Will of God to remove himself to the monastery on Ynys Byr (Caldey Island). He eventually became Abbot there and considerably established a strong community. Later in his life he chose the life of a hermit near the River Severn but, being made a Bishop, he turned to missionary work in Cernow (Cornwall) and came to the Scillies where one of the islands is named after him. He died on 28th July AD 565 and was buried in Dol Cathedral in Brittany. His ‘Life’ which survives, was written the following century. In the AD 930s, King Aethelstan acquired a number of his relics – including an arm and his crozier – which were proudly displayed in Milton Abbey (Dorset) until the time of the Reformation. The Island of Samson was inhabited until quite recently.

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Old Cottage on South Hill, Samson

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Tean

This little northern island was also inhabited until recently. The name Tean derives from the name Theona. There are ruins of her dwelling place still where once as a hermit she prayed and gave glory to the Holy and Life Giving Trinity and also remains of some celtic graves of the 6th century nearby. Recent excavations have unearthed some interesting Romano-British finds. These include an older ‘toothless’ woman whose head lies under the altar of the later built chapel, she may in fact be St.Theona, after whom the island is named.

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Tean, Isles of Scilly. View from the Great Hill – geograph.org

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Hedge Rock and Tean, Isles of Scilly

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Old Man, Tean, Isles of Scilly

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St. Helen’s

We know that this island was called St. Helen, the Blessed mother of Holy Constantine the Great, from 16th century maps but it is associated with another ancient saint, that of Elidius or St. Lide as he is also known. On the uninhabited island of St. Helen’s are the remains of St. Elidius’ Hermitage which contains an 8th century Christian monastic chapel which was active until the 11th. century. This holy place is still honoured today with local people making a Pilgrimage to the site on 1st August. There is an interesting connection between the Scilly Islands and the Christian mission to Norway. In 980 Olaf Tryggvason came to the Scilly Islands. Snori Sturluson recounts in his “Saga” that this notorious marauding Viking met Saint Elidius and heard of “the God of the Christians.” He was converted to Christianity and agreed to be baptized and all those with him. He took the faith with him returning to Norway and Iceland with “three priests and other learned men.” As King of Norway he began the process of evangelism which was continued by his successor Saint Olaf.

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Olaf Tryggvason, who visited the islands in 986. It is said an encounter with a cleric here, at St. Helen’s, led him to Christianise Norway

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St. Helen

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St. Helen’s Viewed From The Block House. Tresco

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On the uninhabited island of St. Helen’s are the remains of St. Elidius’ Hermitage which contains an 8th century Christian chapel

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St. Helen’s Pool

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Early mediaeval chapel on St Helen’s

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Well known for its pest house, in which sailors infected with plague would be quarantined, St Helen’s is a prominent landmark on the Scilly coastline

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Church of St Elid on the island of St Helen’s

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Sailing into history

What strikes me about these saints is their adventurous and persistent spirit in Christ-their sheer delight and desire to bring Christ to every part of these Islands however small, blessing this part of God’s vineyard by their work, prayers and holiness of life. Whilst on St.Mary’s I learned from the curator of the Museum, that in August 2000, on June 28th a Breton vessel named Saint Efflam (founder of a monastery in Brittany, France. He was the son of a British prince) from an enterprise called Odysee Celtique (Celtic Odyssey) sailed into St. Mary’s harbour re-enacting ancient celtic monastic voyages-it was a Breton vessel and a reconstruction of a traditional curragh.

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Curragh

The boat was constructed from a frame of hazel poles over which was stretched tar-covered canvas imitating the ox skins which would have been used originally. Whilst at sea the crew slept on the open boat and had few concessions to modern facilities during the voyage. As Amanda Martin says in her article in Scilly 2000 in “The Voyage of the Sant Efflam” such an experience was not for the faint hearted. “The whole feat requires a tremendous physical effort not to be undertaken lightly.”

These living saints give inspiration to us today by their energy and boldness for the gospel’s sake. In Christ we should imitate their humility, simplicity and calling.

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A prayer

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My boat is small

The ocean vast

Lord fill my sail

Maintain my mast

Christ my captain

Spirit’s power

Save me Lord

In danger’s hour.

Amen

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These “fools for Christ” saved many because they preached Christ crucified and many believed and so they put the Christ in Scilly. Perhaps we, in this our time of God’s good grace need to make a similar Scilly Pilgrimage!

Thin Places (IV)

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“The Church in The British Isles will only begin to grow 

when She begins to again venerate Her own Saints

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(Saint Arsenios of Paros †1877)

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Celtic Monasticism, A Model of Sanctity By Hieromonk Ambrose (Father Alexey Young) — Part IV of IV

Central to Celtic Christian culture was the Cross.

For the Celts, simplicity wasn’t so much a question of externals–like furniture, architecture, and so forth. It was something internal, and it was founded upon the phrase, “Thy will be done”. This meant God’s will, not our own. It meant dying to oneself, not having opinions and not judging others.

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Even in the 7th and 8th centuries there were so-called Christians who were uncomfortable with the Cross of Christ and chose to ignore it, just as there are today. The Celts, however, had a particularly clear-headed understanding of the Cross. To quote Sister Benedicta Ward, a renowned scholar on the subject of the Desert Fathers as well as monasticism in the British Isles in the early Christian centuries: “The Cross was not something that made them feel better, nicer, more comfortable, more victorious, more reconciled to tragedy, better able to cope with life and death; it was rather the center of the fire in which they were to be changed.” (op.cit.)

It reminded them that they must pick up and carry their own crosses in this life and follow Christ, for dying to oneself has always been the great secret of holiness.

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Thus, these monks and nuns saw themselves as warriors of the spirit, for to die to oneself was considered a greater act of heroism than dying on a battlefield in defense of one’s tribe. “The Celtic Church was a Church of heroes…of strong” and fiercely dedicated men and women. “The old Celtic warrior spirit was alive in them, [but now] put to the service of the Gospel and the following of Christ, the High King. Today [we might] find it hard to identify many [such] warrior Christians…[with] the active virtues of courage, strength, outspokenness, decisiveness, and the ability to stand up for something.” (Joyce, op.cit.)

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Nowhere was the Cross more loved and cherished than in the monasteries, where highly-carved and richly symbolic great “High Crosses”–some of them 15 feet and taller– were set up–many of them still standing today. These were not the suffering and bloody crucifixions found later in the West, particularly in Spain and Italy. Nor were these the serene and peaceful crosses of the Eastern Church. No, Celtic crosses were a genuine Christian expression all their own. Sometimes Christ is depicted, but often not; however, when He is shown, He is always erect, wide-eyed, and fully vested like a bishop, a great High Priest. In this form He is a symbol of victory over sin and death; He radiates invincibility.

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“The way of the cross for [Celtic Christians] was the way of heroic loyalty, obedience, and suffering. It involved study and thought, doctrine and orthodoxy, art and imagination. It was a complete, unified way of life, lived intimately with God….[Our] fragmented modern world, both secular and religious, has a lot to learn from it.” (Cavill, op.cit.)

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Saint Kevin, Hermitage of Glendalough

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“Thou wast privileged to live in the age of saints, O Father Kevin,

being baptized by one saint, taught by another, and buried by a third.”

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A common ascetic practice, even for the laity, was called crosfhigheall or “cross-vigil”, and it consisted of praying for hours with outstretched arms. St. Coemgen sometimes prayed in this position for days. Once he was so still, for so long, that birds came and began to build a nest in his outstretched hands.

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Scholars believe that the Celtic High Cross patterns probably came from Egypt. There are no loose ends in these patterns; this symbolizes the continuity of the Holy Spirit throughout existence–for God has no beginning and no end.

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Lindisfarne Priority, Rainbow Arch

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The chapel of Saint Kevin at Glendalough

An example of the love and respect they had for the Cross may be seen in an Anglo-Saxon poem, “The Dream of the Rood” (“rood” being an Old English word for “rod” or “pole”, sometimes it also meant “gallows”). In the “The Dream of the Rood,” Jesus Christ, the Second Person of the Blessed Trinity, is shone as a “serene and confident young hero…[who] prepares for battle. He strips…and climbs up on the gallows [the Tree of the Cross], intent on saving His people. He is in control, self-determining, expressing His lordship….[And] the Cross trembles at the fearful embrace of its Lord.” (Cavill, op.cit.) Listen, now, as the Cross, personified, speaks of how it raised up Christ:

“Unclothed Himself God Almighty when He would mount the Cross, courageous in the sight of all men.
I bore the powerful King, the Lord of heaven; I durst not bend.
Men mocked us both together. I was bedewed with blood. Christ was on the Cross.
Then I leaned down to the hands of men and they took God Almighty.” (Ward, Ibid.)

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St Helier’s hermitage –Hermitage rock

The interlacing, knot-work, plaiting, weaving patterns and spiral designs, with animals and plants and saints, and scenes from Scripture, which decorate almost every surface of a Celtic High Cross, are so distinctive and profound in their symbolism that they are a study all to themselves. Today I can only point out a couple of things.

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Scholars believe that these incredibly complex patterns probably came from Egypt, but also may have some Byzantine influences. It’s important to note that there are no loose ends in these patterns; this symbolizes the continuity of the Holy Spirit throughout existence–for God has no beginning and no end; only Christ is the Alpha and the Omega. The same is true of knot-work patterns, which are endless and cannot be untied. Spiral designs symbolized the Most High God Himself, the “motionless mover,” around whom all things move. Some of these are what are called “Crosses of the Scriptures” because they are decorated with panels illustrating scenes from the Bible. High Crosses possess an almost dream-like quality in their complex geometric patterns, dignified and strong, heroic and towering over men, and yet also reminding those Christians of the Christian doctrine of kenosis, the self-emptying of Christ.

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Lindisfarne Gospels 

One of main factors contributing to the eventual decline and dissolution of a Celtic monastery was when the Cross began to no longer be a focus. “If monastic life…did not have at its center the reality of the Cross, it became a source of corruption….[for] ‘Once a religious house or order cease[d] to direct its sons to the abandonment of all that is not God and cease[d] to show them the narrow way…it [sank] to the level of a purely human institution and whatever its works may be they are the works of time and not of eternity.’” (Dom David Knowles, quoted in Ward, Ibid.)

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An essential dimension was asceticism (askesis) which, for the Celtic monk consisted of a kind of martyrdom. “A homily in archaic Irish, probably dating from the last quarter of the seventh century…speaks of [this]:

‘Now there are three kinds of martyrdom, which are accounted as a cross to a man, to wit: white martyrdom, green and red martyrdom. White martyrdom consists in a man’s abandoning everything he loves for God’s sake, though he suffer fasting or labor therat. Green martyrdom consists in this, this, that by means of fasting and labor [a Christian] frees himself from his evil desires, or suffers toil in penance and repentance. Red martyrdom consists in the endurance of a cross or death for Christ’s sake, as happened to the Apostles…’

For this reason, the Celtic tradition regarded monasticism as the Army of Christ (Militia Christi) and the monk as a soldier of Christ (miles Christi). Young men, in their effort to emulate the heroism of their ancestors, entered monasteries–the “Green Martyrdom.” Instead of fighting in the Fianna (the Celtic army), they joined the Militia Christi to wage war against the evil spirits and sin.” (Fr. Gorazd Vorpatrny, op.cit.) Not surprisingly, one writer calls these Celts “Ascetic Superstars.” (Bitel, op.cit.)

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“I should like a great lake of ale for the King of Kings;

I should like the angels of heaven to be

drinking it through time eternal!” – St. Brigit of Kildare

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And yet, with all of this sober asceticism, the Celts never lost their native enthusiasm, exuberance, and just plain cheer, as we see in a prayer written by the wonderful 5th century Abbess, Brigit, when she exclaims: “I should like a great lake of ale for the King of Kings; I should like the angels of heaven to be drinking it through time eternal!” How could anyone fail to be charmed by such a character–a woman who was a great leader of monastics, both men and women, who was baptized by angels, got out of an arranged marriage by plucking out one of her eyeballs, and fell asleep during a sermon given by the incomparable Equal-to-the-Apostles, St. Patrick!

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St Herbert’s Island, Derwent Water 

Finally, the Celts were Trinitarian Christians par excellence. This is partly because even before they were Christian they already thought in terms of threes. And for them–unlike most Christians today–the Trinity was very real, very alive, not something vague and theoretical. What one scholar calls a “Trinitarian consciousness” (Joyce, op.cit.) completely shaped everything about them. As another has said: “‘We are here at a central insight of Celtic theology….Christ comes not to show up or illuminate the deformity of a fallen world but rather to release a beautiful and holy world from bondage….an affirmation, difficult but possible, of [that] which is the created image of the eternal Father and the all-holy Trinity.’” (Noel Dermot O’Donoghue, quoted in Joyce, op.cit.) “To follow the spiritual world-view of the Celtic Christians is to embrace a way of life that is a real commitment to the belief that the Trinitarian God is alive in this world.” In the Celtic world, “Jesus Christ is our hero, our sweet friend….The Father is High King of heaven, a gentle and beneficent father, a wise and just ruler. The Spirit is a tangible comforter and protector ….This God is never to be reduced to the ‘man upstairs’ or anyone we can capture and box in. And yet this wonderful, mysterious God is close to us….[This] God is extremely good.” (Ibid.)

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Brothers and sisters: the sanctity of Celtic monastics is a model for us in that it combines heroism and joy in perfect and beautiful balance. For them, the heroic life was one completely dedicated to living intimately with the God-Man whom they described as “victorious,” “mighty and successful,” “the lord of victories,” a great warrior to whom they pledged undying, fearless, creative and exuberant loyalty. And yet, for all of their heroism, their monastic world-view, could be ‘summed up as the ‘Christian ideal in a sweetness which has never been surpassed.’” (Nora Chadwick, quoted by Joyce in op.cit.) To slip into their world, even for just a few moments, as we’ve done here this afternoon, is, I believe, is not just inspiring; it’s almost breathtaking.

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Just as I began my talk today with a prayer of St. Columban of Iona, I would like to conclude with another prayer from this great Celtic monastic saint:

Prayer of
St. Columban of Iona

Lord, Thou art my island; in Thy bosom I rest.
Thou art the calm of the sea;
in that peace I stay.
Thou art the deep waves
of the shining ocean.
With their eternal sound I sing.
Thou art the song of the birds; in that tune is my joy.
Thou art the smooth white strand of the shore;
in Thee is no gloom.
Thou art the breaking of the waves on the rock;
Thy praise is echoed in the swell. Thou art the Lord of my life;

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Source: http://www.asna.ca/angloceltic/celtic-monasticism.pdf

Also, listen to Hiermonk Ambrose (Father Alexey Young) about THE UNIQUENESS OF CELTIC MONASTICISM at http://www.asna.ca/angloceltic/

For more information on Celtic Orthodoxy, go to http://www.mullmonastery.com and follow father Seraphim’s pilgrimage and struggles to found the first Orthodox monastery in the Hebrides in over a millennium.

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To continue our pilgrimage to the Celtic sacred sites and pilgrim routes of England, our next stop will be Scilly –pronounced “silly”–Islands! (/ˈsɪli/Cornish: Syllan or Enesek Syllan) (Introduction of the “c” may be to prevent references to “silly” men or saints!) Yet one more look at Christian faith from a Celtic perspective. The Isles of Scilly  are an archipelago off the southwestern tip of the Cornish peninsula of Great Britain, comprising  5 Major, inhabited islands,St Mary’sTrescoSt Martin’sBryherSt Agnes and 140 others. For more, go to https://orthodoxcityhermit.com/2015/11/05/scilly-pilgrimage/