In and Out of this World 

“One Day in the Life of a Men’s Monastery” is an acclaimed documentary directed by Sergei Yazvinsky featuring a typical day at the Monastery of St Simon in Novy Afon or “New Athos” in the Autonomous Republic of Abkhazia, Georgia. …

Here is a link to the documentary. Enjoy!

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Dawn appears on the horizon at the monastery, which is dedicated to St Simon the Canaanite, one of Christ’s apostles who legendarily preached in Georgia and the surrounding regions. The monastery was built in the 1880s with donations from Russian Emperor Alexander III as a refuge for overflow monks. Russia’s Monastery of St Panteleimon on Mount Athos in Thessaly, Greece was overflowing with monks, so the Tsar assisted in the construction of this beautiful monastery to accommodate them.

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The monastery crowns the eastern edge of the Black Sea near the Abkhazian capital Sukhumi, which was an ancient Greek port in antiquity and a center of the medieval Georgian kingdom (საქართველო Sak’art’velo).

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Local villagers volunteer at the monastery to help the monks sweep the floors and courtyard, cook and prepare meals, and maintain the stunning grounds.

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Early morning: a monk lights the oil lamps which hang before the icons of Christ and the Theotokos on the iconostasis in the monastery chapel.

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A monk holds a Russian-language liturgical book for the chanting of the First Hour (06:00am) dawn prayers.

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A life of prayer: many people are amazed that locals come daily to help the monks cook and clean, but the monks ‘repay’ these services not only with their thanks and loving kindness, but with their constant prayer on behalf of the villagers, their country, and the world. The monk here is reading through names of villagers for whom he will pray in the daily services.

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Dawn breaks at the monastery.

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The Russian-style golden cupolas glimmer in the morning sunlight.

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The monks practice the Athonite discipline of hesychia, a Greek term meaning “stillness” or inner silence which developed most clearly from the writings of St Gregory Palamas. The goal is to cultivate a subconscious dedication to prayer so that one enters into transcendent prayer of the heart, through which one strives to become what St Peter called a “partaker of the divine nature”. Prayer is not “all the monks do”, however. This Russian monk is carving a cross which will be blessed and given to someone outside the monastery.

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A baker monk?: These freshly baked loaves will be consumed by visitors as well as the monks. Prosphora bread used for the Eucharist is baked separately using a simple ancient formula and then it is set apart and blessed (prior to the Liturgy) before its consecration begins during the Liturgy.

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The monastery’s central church dominates the courtyard, which is surrounded by the yellow-painted loggias in which the monks live in sparse cells. This part of Abkhazia, Georgia has a Mediterranean climate. You can see the cypress trees by the Black Sea.

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In the Russian tradition, the monastery’s bell-tower is a separate edifice from the central Neo-Byzantine church.

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Bells sound at different points of the Liturgy, bringing worshipers into a deeper spiritual frame and alerting those not present to specific points in the service. Bells also announce births or deaths and call the monks and the faithful to prayer. Bell-ringing is an ancient art in Russian lands, and the skills of the bell-ringer are highly prized because complicated poly-rhythmic, mechanical rotations are used rather than Western mathematically-determined melodies and “ringing” (turning the bell so that it rotates fully around). Bells serve as “singing icons” and just as people are chrismated into the Church, a unique chrismation ceremony brings new bell towers (kampan, from the Italian ‘campanile’) into the life of the Church.

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The pealing of the bells summons the faithful to prayer as the Divine Liturgy begins. Here is an example of Russian bell-ringing: http://www.youtube.com/watch?v=TzGbMWEl0Ys

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The Georgian priest proceeds toward the altar at the east end of the monastery church holding the Gospel aloft. Orthodox Christians consider the books of the Bible inspired of God and an icon of Christ. Only recently in the United States have some Orthodox communities introduced pews into their churches. Traditionally, the faithful consider it disrespectful to sit in a holy place, and so they stand attentively before God.

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All music in Orthodox churches is performed a capella without instrumental accompaniment. Russian chant incorporates polyphonic harmonies and often uses Western musical notation (influenced by sixteenth century Italian composers), whereas Byzantine chant maintains its own distinctive ancient notation.

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Orthodox clergy wear beautiful liturgical vestments which change throughout the seasons of the liturgical year. This tradition evokes the high priests in the Temple of Jerusalem who wore prescribed arrays of garments and vestry when serving in the temple sanctuary. Similar to the ancient Temple, every Orthodox church- especially so at monasteries- diligently tends an ‘eternal flame’ in the sanctuary which burns before the altar. Here the Tabernacle is kept (in which the elements used in the Eucharistic offering are stored) and the Gospel book rests.

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Look carefully and you will notice the sunlight playing across the gold leaf mosaics of the saints’ halos. . . these images took my breath away.

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In the Orthodox tradition, the monastery marks the end of the liturgical day at sunset.

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Source: https://ryanphunter.wordpress.com/2012/03/29/images-from-another-world/

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